National Museum of African American History and Culture

Washington, DC, 2009

This museum is about the suffering, the struggle, and the celebration of the African-American community. The memorial, optimistic, reaching into light, embracing the nation's capitol, is a testimony to the timeless values which are at the foundation of America. Given the need to respond sensitively to the context, over one third of the program of the building is placed below street level. The resulting mass was bisected by two view corridors. The primary one on the axis of the Washington Monument, and a secondary line setting back the West Facade to open up the view from 15th Street towards the Mall - forming a landscape path through the building. From the entry pavilion we proceed to Africa - a central wood latticed atrium, spatially open to all museum levels. The public then descends through the Door of No Return. Below street level unfolds a double loop of galleries set around two deep pits accommodating a life size slave ship and the railway car. The visitor proceeds through the chapters of Slavery and Freedom, Segregation/Civil Rights, 1968 and Beyond ending in a gallery at the base of the Memorial. Through escalators and glazed elevators, the public rises eighty feet through exhibit displays to the Memorial Hall - culminating the narrative story with a dramatic view of the Mall. The public returns from the pavilion across the Freedom Bridge entering the fourth level of the museum overlooking Africa. From there they descend through three levels of thematic celebratory galleries, Music, Sports, Culture, Visual Arts, and Power of Place, to street level. The thematic galleries - partially sky lit -are spatially interconnected into one another and all enjoy views toward the National Mall.

Project Type: Museum

Client: Smithsonian Institute

Cost: $500 million


Associate Architect - Sultan Campbell Brit and Associates